Vol. 3.0.0

Acting Shakespeare For 2010

by Christopher on January 11, 2010

Play­ing Shake­speare | The Royal Shake­speare Com­pany founder John Bar­ton holds a mas­ter class

If you want to bone up on your Shake­speare for 2010, there’s some excel­lent resources out there.

First up is Play­ing Shake­speare. Leg­endary John Bar­ton founder holds a mas­ter class with mem­bers of The Royal Shake­speare Com­pany includ­ing: JUDI DENCH, IAN MCKELLEN, PATRICK STEWART, BEN KINGSLEY, and DAVID SUCHET

In a series of nine inten­sive act­ing work­shops, shows how he makes clas­sic plays acces­si­ble to mod­ern audi­ences with­out com­pro­mis­ing the text’s integrity. Com­pany mem­bers, in dis­cus­sions and demon­stra­tions, reveal how the actor can search Shakespeare’s verse for hid­den clues to a char­ac­ters’ moti­va­tions and how they bal­ance intel­lect and pas­sion to make theatre’s most famous solil­o­quies seem fresh — here’s a clip from one of the workshops:

At the heart of the RSC’s approach is the Rhythm of Shakespeare’s lan­guage, i.e., it’s the rhythm that encodes how the char­ac­ter feels about what they’re talk­ing about, about how they feel about what they want and what’s hap­pen­ing to them.

A highly use­ful adjunct to Play­ing Shake­speare is Patsy Rodenburg’s Speak­ing Shake­speare:

  • To under­stand any play text fully you have to speak it.
  • To release its full power you have to com­mit through the body, breath and word.
  • You have to trust the words and know what those words mean.
  • To access the power of a play you have to know how it’s constructed.
  • You can’t act Shake­speare until you can speak him. (Speak­ing Shake­speare, Intro­duc­tion).

Finally, for Shake­speare mono­logue work, an excel­lent resource is Sil­ver­bush & Plotkin’s Speak The Speech, Shake­speare Mono­logues Illu­mi­nated.

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